Making sketches for the armatures of her large concrete sculptures, Jane South became curious about the activity of drawing in relation to sculpture. She was particularly interested in the possibility of combining the two forms while retaining a simultaneous sense of two- and three-dimensionality. She began to simplify, distort, and manipulate the drawings: cutting out the spaces and assembling the remaining linear webs into sculptural elements that sometimes appear like models of the larger sculptures. She suspends these paper structures off the wall with tiny paper hooks and lines. Attached to the wall, the sculptural constructions cast shadows that flatten them out into two-dimensions again. These two- and three-dimensional drawings describe a fragile and playful imaginary landscape of ambiguous perspective and scales.